Plugin Solutions For Final Cut Pro, Color, & Motion

Transitions: G Long Dissolve

This transition is intended for long dissolves of several seconds or more. The built in FCP cross dissolve can appear to breathe or fluctuate in intensity over really long dissolves. G Long Dissolve gets around these artifacts by combining a dither blend with the dissolve.

Dither Magnitude 0 to 10
Increasing the Dither Magnitude creates a smoother blend between the two video sources.




Package Contains:

G Cool Blur
G Directional Blur
G Horizontal & Vertical Blur
G H and V Blur Glow
G Radial Blur

Extra Touches :
G Beauty
G Bug Eye
G Earthquaker
G FBM Noise
G Lens Flare
G Reverberator
G Split Screen
G Star
G Theatrical
G Tone Enhancer

G Alpha Expander
G Chroma Smoother
G Copy Channel
G Deflash
G Deflicker
G Field
G Reinterlacer

Image F/X:
G Diffuse
G False Colour
G Monochrome
G Posterise
G Saturator
G Saturator Balanced
G Sharpen
G Surreal
G Threshold
G TInt

Levels and Curves:
G Contrast
G Detail Contrast
G Detail Levels
G Hyper Contrast
G Levels
G Simple Contrast
G Simple Curves
G Simple Levels
G Super Levels

Noise Reduction:
G Chroma Noise Reduction
G Spatial Noise Reduction
G Temporal Noise Reduction

Time Tools:
G 50 Percent
G Timelapse

TV Effects:
G Analogue
G Chroma Shift
G Digital
G Head Clog
G Resolution
G Roll
G Scratch
G Shift
G TV Lines

G Burn
G Directional Blur Dissolve
G Dissolve
G Glow Dissolve
G H and V Blur Dissolve
G Lens Flare Transition
G Long Dissolve
G Sharp Dissolve
G Spring

G Bars
G Countdown Master
G FBM Noise
G Fields and Frames
G Laser
G Lines
G Long Lines
G Random
G Video Strip




©2007 Nattress Productions Inc.